Tag: criticism

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Liberation Now!

Liberation Now! (August 2026) from Meerkat Press Ask yourself: when everything and everyone around you has sold out to consumer society and is being held captive under the spell of the Subliminal Em

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Arab and Muslim SF Critical Reviews

Arab and Muslim SF: Critical ReviewsMcFarland (2022) 396p. pbk ISBN: 978-1-4766-8523-6 ebk ISBN: 978-1-4766-4317-5 Listen to an interview with co-editor Emad Aysha on Diamond Bay Radio.About the Ed

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FutureCon 2

The collaborative effort to run FutureCon can be proud of their accomplishment: they’ve built upon the first conference one year ago and made it to a second year, full of the same energy and enthusias

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Ovid TV Enters From Left Field

The reason I wanted to check out Ovid.tv was to watch the documentary about a small town in Southwest China, called Ghost Town. There was a showing of it several years ago that I missed and I was su

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Gwyneth Jones on Joanna Russ

The new biography of Joanna Russ by Gwyneth Jones is a marvel. Published in the Modern Masters of Science Fiction Series from the University of Illinois Press, this book provides a timely and thorou

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Time Travel in Paris

Lisa Goldstein’s first novel, The Red Magician, won the National Book Award in 1983, in the category for “original paperback novel.” Strangely that is the only year that category existed, which means

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Another Blood Moon, Another Howling

What a hullaballoo was kicked up for the recent blood moon.  You’d think that a total eclipse occurring when the moon passes closest to Earth only happens, say … once every generation.   Oh snap!   B

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Ka-chow! sneezes the roscoe.

The opening of Jack Womack’s Going Going Gone, injects us into an unpredictable world that wobbles between an alternate hipster-scene of New York City in the 1960s and the seemingly hallucinatory ramblings of a drug-addled protagonist, Walter Bullitt. The story begins in a Washington, D.C. hotel room, where the first person jive talk kicks in: “Soon as I spiked I turned my eyes inside. Setting old snakehead on cruise control always pleases, no matter how quick the trip.” Sprinkled through almost every sentence are hokey metaphors. The phone doesn’t ring, “those jingle bells“ do. And on the other end of the line is a Federal agent of some kind, who is so square that he can’t understand a word of the hipster-narrator. But the narrator is more like one of the Fabulous Furry Freak Brothers than a secret agent, and he himself was so startled by the phone that he almost made for the john to “drown his bagged cat.” To flush his pot down the toilet, get it?