The MICE invasion of Cambridge was a swarming crowd of anarchistic fun. Hundreds of comix-crazed attendees jammed the halls of Leslie University, chatting with 200 comic artists and publishers. Tab
The book and zine collection of John H. Costello, who passed away in early 2015, was donated to fandom recently at Readercon 26. Here I will take a quick look at some of the Russian language materials
Readercon is generally my favorite con of the year, and in 2015 Readercon was up to the usual standard of fun times and excellence. The guests of honor Nicola Griffith and Gary K Wolfe were on hand throughout, and the memorial GOH was Joanna Russ. How could you go wrong? Indeed there were no less than three sessions on the life and work of Joanna Russ, including the participation of the author’s long-time associates: Jim Freund, David Hartwell, Michael Dirda, Ron Drummond, and Samuel R. Delany. Freund told some great stories about the early days of his career at WBAI Radio in New York, when he was literally living in the station offices, and broadcasting his radio show, “Hour of the Wolf,” five days a week at 5:00am. One time Freund called up Russ at about 8pm and invited her to join him for an interview on Hour of the Wolf. Russ declined the interview, but she did invite him out to eat at a nearby diner. The meal turned into an eight hour long conversation. Finally, having talked through the night, at about 4:30am, Russ asked to stop over at the Radio Station to use the bathroom on her way home, while Freund was getting ready for his show. Just as he was going live, Russ stopped by the control room to wave good-bye, and she heard Freund say into the microphone: “This is the Hour of the Wolf, and my guest today is Joanna Russ.” The first words Russ spoke on that particular live broadcast were: “You motherfucker! I’m going to kill you!” Which she subsequently did, by killing off the character based on Freund in her novel, We Who Are About To.
Today I was talking to my sister (Happy Birthday, Chi!) and we were chatting about the crazy speed of new technology. How strange it is to collapse our life experience into a series of new devices and how they affected us, and then try to imagine what it is like to be born digital, with all this shiny stuff that has no historical context. As Peter Goldman said: “Between the twitterverse and the 24-hour cable news cycle our history keeps disappearing.” Now, everything is instantaneous, all knowledge is free, one-to-one communication is a such a waste of time… “duh! old timer, how can you be so passé.” This got me thinking about the impact of earlier communication technologies and what they were like in the popular culture before they were taken for granted. What was it like 100 years ago, when the telephone was first established as a fixture of modern life? In 1880, there had only been 108,000 telephones in use, by 1890 there were 467,000 telephones installed. Think of the rapid change as this newfangled device penetrated American society. 1900 600,000 (for 76,000,000 people) reaching 0.79% of the population 1905 2,200,000 (for 83,000,000 people) reaching 2.6% of the population 1910 5,800,000 (for 92,000,000 people) reaching 6.3% of the population During the first 25 years of its existence the telephone was physically accessible to less than 1% of the population, but that number nearly tripled between 1900 and 1905, then doubled again, between 1905 and 1910. This exponential growth, and the exposure of greater and greater numbers of people to this technology — which could project their voice instantly to almost anywhere — must indeed have seemed like magic, like something from mythology come to life! So it was not surprising to find an advertisement in the 1914 Farm Journal in which the American Telephone and Telegraph Company actually portrayed their service in mythological terms. AT&T was established only nine years earlier, in 1885, and by 1914 they had been riding a totally unparalleled explosion of telephony…and yet, from their point of view, they had more than 90% of the population left to capture as customers! How to capture their imagination and then their money? That must have been the operating question for the AT&T publicity machine of the time. And here is what they came up with:
Traveling to Chicago in the winter you expect snow, ice, and bitter gray skies. We had mild temperatures and lots of sunshine! One day at Half Price Books, I picked up the UK Granta edition of Elif Batuman’s The Possessed, and also a copy of Franz Kafka’s Paradoxes and Parables, in the 1961 Shocken paperback edition. I noticed an old card and folded piece of paper in the Kafka, which I thought deserved further research. To my amazement, I found tucked into the Kafka book two bits of New York beatnik history! First, there was a folded flyer for a performance at Caffe Cino, the famous alternate theatre run by Joe Cino at 31 Cornelia Street. Caffe Cino Flyer - May 20th 1962 Joe Cino (1931-1967), originally from Buffalo, New York, opened the cafe theatre in 1958, creating what is now considered to be the first off off Broadway theatre in New York. The venue, which had no real license to be used as a theatre, was always in trouble with the law, and somehow survived by running impromptu events with no publicized schedule. Finding this actual flyer for a performance at Caffe Cino, was intriguing. The director of the two Ionesco pieces was Roberta Sklar, who apparently was the co-director of Jean-Claude Van Italie’s 1968 production of “THE SERPENT.” There is a video documentary about this play on Youtube in three parts: 1 2 3 The performers at Caffe Cino that night were Rob Reigler and A. J. Reigler, and the lighting was by Louis Torrey. Was that Louis Torrey any relation to John Torrey, Joe Cino’s lover, who some suspect was responsible for the 1965 fire that nearly destroyed the theatre? Well, a lot of these details are no doubt lost to history, but it is still amusing to find tid-bits like this floating up from the memory well. The other amazing find in this copy of Kafka’s Parables and Paradoxes, was an original “discount card” from Limelight Bookshop!